The firing of Brett Ratner by the Academy Awards from the job as producer of the Oscar Telecast, and the fawning apology extracted from him by GLAAD (Gay and Lesbian Alliance Against Discrimination) and other Gay groups, shows who really runs Hollywood. The female audience!
Ratner, the director of the upcoming Eddie Murphy/Ben Stiller action-comedy “Tower Heist,” along with the “Rush Hour” series (starring Jackie Chan and Chris Tucker) and the final modern-day X men movie (X-Men: The Last Stand) was fired from the show after saying in an interview that “rehearsals are for fags.” He then was forced to issue several groveling apologies. You can’t get much more Jewish than Ratner, who spent High School according to Wikipedia in Israel. But Jews do not run Hollywood, rather it is gays, or rather the female audience that likes gays very much.
The CW actress (from the revival of “90210”) Jessica Lowndes has released a song where she wishes she was gay. That’s her to the right and above btw. Lady Gaga got her start, and rakes in tons of money, by appealing to gays. Katy Perry released “I Kissed a Girl,” and Simone Battle released a song and video entitled “He Likes Boys” about an unrequited crush on a gay man. You could argue that nearly all Broadway shows, the X-Factor, American Idol, the Sing-off, the Voice, and all the other musical competition reality shows are big gay wonderfests aimed directly at women.
Even Tony Kushner is more gay than Jew. Kushner is very anti-Zionist, has advocated a single state in place of Israel and the Palestinians, and Zionists sought unsuccessfully to prevent him from being honored with a honorary doctorate at Brandeis University and there was an abortive attempt by City University of New York to revoke his honorary degree over anti-Israel statements. Barbara Ehrenreich among others rose to his defense. Kushner married Mark Harris, an editor at Entertainment Weekly, in Provincetown NY in 2008. Kushner’s work in in the screenplay for Steven Spielberg’s “Munich” is pretty much in accord with Queers for Palestine. Most gays are fairly anti-Israel and also anti-Jewish.
A goodly portion of the “alternative right” is mired in conspiracy theories, the main one being that the West fell into disrepair and despair, filled with PC nonsense, low fertility, mass non-White immigration, multiculturalism, and disgust at the culture and history and heritage of Western Civilization … because of those “devious Jews!” In their view, those devious mind control rays just took over the poor helpless and defenseless West. Others hold that Gramscian Long Marches (the original was a desperate, fighting retreat not advance) through institutions allowed “mind control” by corruption.
I hold that either explanation, either “those devious Jews” or devious Frankfurt School intellectuals (Andrew Breitbart’s view expressed on the Adam Carolla Show) are at fault, nor is some combination the reason for the West’s decay.
Rather, it is broad social forces, moved by technological changes that impact marriage, family, spending, wealth, and other factors that has led to this state of affairs. In other words, history as it has always been — broad forces affected in the exact wave by individual valor and cowardice, often in surprising ways. Individuals can and do make differences, both for good or bad, but cannot fundamentally change the tides. The way people marry, have kids, create wealth,consume wealth, make war, peace, and trade has the most effect on society. Not ideas that the vast majority including elites have only the most fuzzy grasp upon. If you went back in time and queried Castillian Grandees of the fifteenth century, on the Holy Trinity, only a few would have been able to understand it and explain it to you, and probably none what the Albigensian Heresy of a few hundred years prior had been. That’s the elite.
Let us look at Jews in America today. Clearly, they do not run Hollywood, otherwise the concerns of Jews (assimilation versus losing one’s identity and Jewish heritage) would be paramount in movies and TV. Every second movie would be Exodus and Steven Spielberg would have made “Munich” in the style of Sylvester Stallone’s Nighthawks. Ratner would have won, not lost, the contest of strength against the gays. TV and movies would be filled with positive Jewish characters and positive portrayals of Israel and America. Movies like Yankee Doodle Dandy, produced by Jack Warner would predominate.
That moment has clearly passed, with gays now being the “new Jews.” Most Jews today hold mildly anti-Israel, anti-Zionist sentiments (as evinced from the results of the efforts to punish Kushner) at best, awash as they are in the Yuppie mold of modern liberalism. The casual anti-semitism of modern liberalism as epitomized by Occupy Wall Street shows up in most Jews wishing that Israel would simply go away. Being as it is an embarrassing, working-class reminder of ethnic and unfashionable identity that is as “un-cool” as the battered easy chair of Frasier Crane’s father on “Frasier.”
Now, “Glee” features overt teen gay sex, and gay-themed characters and plotlines are everywhere. The GLAAD report on 2011 TV shows:
”While the number of LGBT characters is down, some of the most popular shows with critics and viewers such as ‘Glee,’ ‘True Blood’ and ‘The Good Wife’ weave storylines about gay and lesbian characters into the fabric of the show,” says GLAAD’s acting president, Mike Thompson. “… Americans expect to see the diversity of our country represented in their favorite programs and that includes gay, lesbian, bisexual, and transgender people.”
FOX is the most inclusive network, according to the GLAAD study, with LGBT characters representing about 7 percent of the population on its scripted series. “Glee” has several prominent gay roles, and “Bones” and several of the network’s animated comedies feature LGBT characters as well.
GLAAD counted 19 gay characters among the 647 series regulars on broadcast series set to air in 2011-12 (although that number could change a little as details about characters are revealed), along with an additional 14 recurring LGBT characters.
On “mainstream” cable networks (not including channels like Logo whose focus is already on the LGBT community), GLAAD found 28 regular LGBT characters, down from 35 in last year’s study. The number of recurring characters rose, however, so the total of 54 is in line with 53 last year.
Why is this? Why are gays so popular? Why is GLAAD more powerful than Brett Ratner (who has a successful career and has given Eddie Murphy a job, a favor Murphy returned by resigning as host of the Oscars)? Its because of the domination of TV and movies by the female audience. Which is very friendly to gays.
Women find gay men interesting (and author “slash fiction” whereby straight characters like Captain Kirk and Spock have gay sex). And also, fabulous. Not being interested in them sexually they are men whom they can deal with on a non-stressful basis. The result of a vastly extended mate market, with women “on the market” and “available” for years and years, leads to fatigue with constant approaches by men they find sexually invisible. Gay men offer a relief from that, the niche filled by brothers and fathers when the nuclear family existed.
Gay men’s appeal to women is at least in part driven by the failure of the nuclear family, and declining birth rates, leaving many women single children bereft of male relatives. Gay men offer the next best substitute.
Gay men further only have cultural power in the way that Jews during the Golden Age of Hollywood had cultural power — by offering stories and themes and creations that appealed to enough of a mass audience. It is true that Lady Gaga made a fortune appealing mostly to gay men and women. And that Tyler Perry made the most money last year of anyone in Hollywood. But few White people go to see Tyler Perry’s movies, and his formula for success is to make cheap movies that only Black people are interested in seeing. He’s the only one out there competing for that audience, so he gets pretty much most of it no matter how poorly executed his films are. Lady Gaga in twenty years will be as forgotten as Debbie Gibson is today. The same for Justin Bieber.
Meanwhile Jews like Siegel and Schuster exerted immense cultural influence (even if they mostly got cheated for creating Superman). The same with Jack Kirby, or Stan Lee, and the other nearly all Jewish writer/artist creators of comic book characters. By offering tales of nerdy guys who never got the girl transformed into heroes, they found a fairly wide group of guys (nerdy White guys who never got the girl) who lived vicariously through these (often faintly ridiculous) characters. The current flipside is the Twilight phenomena, where girls and their Moms lust after sparkly semi-gay pouty vampires. Following an ordinary girl who gets the hunkiest man alive (and has the second-hunkiest fighting the hunkiest for her favors). Even his vampire babies! This from another “niche culture” (Mormon Housewife) author. Just as Louis Armstrong taught a lot of White kids to swing, because he provided dance music, in the Depression, as did say Duke Ellington, Jews and Mormon housewives when offering stuff that a substantial portion of the population loves, can transform the culture.
For Jews in Golden Age Hollywood or Comic Books, it was a Yankee Doodle Dandy story of assimilation and simultaneous embrace of immigrant roots. Superman WAS American to the core, because he was (basically a variant of Moses delivered as a baby to the Promised Land — America!) For Stephanie Meyer it was the longing of everygirl to get that one guy every girl dreamed of. For White teens in the Depression, it was dance, dance, dance. When the need was met, the culture was transformed into the specific shape of the individual artist. Respect for a master musician who made you dance, and was Black. Embrace of America and the Flag, with a living super-Flag. Getting that hunky guy by being special and magic (OK maybe the last is not so healthy). The need when filled changed things. But the need had to exist.
Tyler Perry is not going to change the culture. Neither is Lady Gaga. Katy Perry might, because millions of girls like her and want to be her (not the least of which is Mr. Katy Perry, Russell Brand). Gays are changing the culture because they are filling the need of millions of women. Who want tales of effortless sex with hunky guys and fabulous fashion, a life of eternal singlehood and choice (Sex and the City, originally written by Gay men for a Gay cast). Or stories of vampires, rich kids, and other hunks to drool over. Or fabulous singing and dancing where your native talent overcomes plain looks to land that hunky guy (Glee). Egged on by a fabulous best gay friend.
Gays writing and creating just for Gays, on their own, would be like Siegel and Schuster creating “Gefilte Fish Man” who has the magic power to eat as much Gefilte Fish as possible. Of no interest to pretty much anyone outside of the creator’s group. Gays exist as a power group, more powerful than Jews (see Ratner, Brett, and the defenestration of) in naked power struggles because they deliver more of the desired audience: women. Who very much like their gays, thank you very much, which way is the next showing of “Wicked?”
And all of this is really just a reflection of social reality. Nerdy guys made Superman a hit from the first issue, along with many other comic book characters, because he filled that need. As did Twilight. Gays only exercise more power than successful producers (who are also Jewish as it gets) because they are beloved of, and deliver to advertisers and producers, the female audience. Who cast in very long lasting singleton choice-hell, demand tales of hunks and guys who will never hit on them, but offer sound advice on how to nail that Alpha.
The solution then, given that gays tilt wildly left (and demand a general libertine undermining of society that is in direct conflict with not only straight White guys but social health for everyone) is to change the conditions that give them power. Gays are not powerful because of their numbers or innate fabulousness. They are powerful because the specific condition of millions of single or late married women make them so.
Women generally happy with their husbands don’t care much about gays. Even if only children, they inherit in-laws, helpers with child-care, and a husband they care about and can confide in. They don’t need fabulous consumption and fashion and girlfriends and endless courtship to get the emptiness inside filled up, family and husbands do that already.
The solution is thus blindingly obvious and tremendously difficult. The restoration of the nuclear family. Nearly all the ills of modern society, the decline of the West, would be arrested if not reversed by the restoration of the nuclear family. This means generally, women marrying at an age (around 19-25) when they can get the best man available. And staying married, for the most part. This is extremely hard, because modern society has enormous incentives for women to stay single as long as possible chasing Alphas. To the detriment (maybe) of the women involved and of society as a whole unquestionably.
Women giving this enormous power to gays is neither normal nor healthy. At no time in the past has this ever happened in the West. It bodes ill for the stability and wealth generation of the West.